8 Aug


Script: Chris Lowder

Art: Carlos Ezquerra

Letters: John Aldrich

Plot: The crew of the star-cruiser ‘Ajex’ flee back to their craft as they come under attack from winged blood-sucking aliens. Crew member Rimmer is bitten but survives however when the craft blasts out of orbit he transforms into a vampire. The rest of the crew deploy increasingly powerful weapons to stop him but it is in vain, finally he has only the cook in the galley to dispatch before the ship is his…

Shock: Cook has watched ‘antique 20th Century movies‘ and knows to defeat Rimmer with garlic powder. With the fiend dead Tharg reminds readers that the only ways to kill a vampire are stake through the heart, exposure to sunlight or drenching in garlic.  

Thoughts: Looking at Fangs it appears likely it became the first ‘slapstick’ Future Shock due to the decisions of its artist, the legendary 2000AD stalwart Carlos Ezquerra. Ezquerra uses a similar style to his work on Bob The Galactic Bum; the faces are weather-beaten with ruddy noses and elongated rubbery appearances as well as being, like much of his earlier work, heavier inked. The result is uniquely Ezquerra but in a more pronounced comedic way;  crew member Rimmer becomes a highly camp Count Dracula and the rest of the crew become exaggerated cast-offs from Scooby-Doo. It all works to marvelous effect and makes a corny story story into a fun comic strip, whose denouement is clear the minute the vampire declares he’s off to kill the chief. However the pacing, exposition and dialogue from 2000AD utility man Chris Lowder (Invasion, Dan Dare,(2000AD) Ro-Busters, Victor Drago (Starlord)  & Blackjack (Action)) can all be read completely straight-faced. The ending may be a bit farcical but then 2000AD was aimed squarely at kids at this juncture and they would see it as far less risible as a dramatic ending. Hand the script to a Dom Reardon or Leigh Gallagher and you would have a perfectly good horror story. Lowder was a seasoned vet at writing comics and his efficiency shows in a great 7 panel sequence where ‘Dracula’ is zapped 3 times with increasingly deadly weapons before finishing off his aggressors. His writing, along with Ezquerra’s dynamic figure-work,  helps to pack a lot of action into a three and a half page comic. If Lowder was intentionally playing this for laughs then its even more to his credit that he wrote it so ‘straight’.

Shock’d? That they still cook with garlic powder in the future? A bit. That they don’t have their own vampire movies but have to rely on ‘antiques’ for the way to defeat the vampiric foe? Absolutely. But as the story pure slapstick there is no real ‘shock’ per se.


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