PROG: 96 – THE END OF THE UNIVERSE
Script: Gary Rice
Art: Brett Ewins
Letters: Peter Knight
Plot: Steinway & Schmidt are two astronauts cryogenically frozen while their craft speeds onwards to find the ‘limits of space‘. They are awakened by the craft, an action that is meant to signal that they have reached their destination, only to find themselves still surrounded by infinite space. The two despair that they will never see the end of space after having decided their ship must have woken them on concluding that it would never reach it’s goal.
Shock: Prof. XYGBDN, an alien teacher, ‘Billions of Trillions of times bigger than human comprehension‘ calls for his class to be quiet while he shows them the microscopic view of a ‘slide of water‘ that actually is Steinway & Schmidt’s galaxy! The astronauts cannot visualize the universe as it is so vast to them, the alien children cannot visualize it because it is so small.
Thoughts: Filler even by Future Shocks standards this two-pager is notable only for the appearance of Brett Ewins art and marking the first of several scripts by the mysterious Gary Rice. That Rice only worked on one-offs and shorts (Future Shocks, Ro-Jaw’s Robo-Tales, Walter the Wobot) may indicate a pseudonym at play. This rather dull tale, which seems to rely on a navigation computer working out the secret of the universe, is a re-plodding of the ‘Problem of Scale’ that features so regularly in early Future Shocks. More interesting is that Ewins art doesn’t seem of the standard of his recent turn in Judge Dredd (The Day The Law Died, Prog 92 (pencils & inks) Prog 93 (pencils)) both in terms of detail and use of solid blacks. It may well be this Shock was drawn sometime before and held back until two pages were needed. The art on the first page, featuring humans and spaceships, really isn’t very good but the second page splash of the alien Professor is both substantially better art and alot more fun. The early Ewins certainly has a touch of the Belardinelli aliens / humans problem with his art. Given the great work he was to go on to turn out for 2000AD the strip is at least a fine example of how talent is given time to develop by the comic.
Shock’d?: That the editor isn’t bored of these ‘Problem of Scale’ stories. The reveal is totally unconnected to the preceding story and what little drama it had worked up. A Shock best quietly forgotten.